倉俣史朗氏のアクリル作品を一手に引き受けていた齊藤正春さんによるタンポポの綿毛をアクリルに閉じ込めたプロダクト、「蒲公英の封印」。
綿毛を崩さずにアクリルに閉じ込める加工技術に驚きを隠せません。
繊細なこの作品からは物語性すら感じます。
(via googli)
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marukido reblogged this from quawai and added:
倉俣史朗氏のアクリル作品を一手に引き受けていた齊藤正春さんによるタンポポの綿毛をアクリルに閉じ込めたプロダクト、「蒲公英の封印」。 綿毛を崩さずにアクリルに閉じ込める加工技術に驚きを隠せません。 繊細なこの作品からは物語性すら感じます。
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倉俣史朗氏のアクリル作品を一手に引き受けていた齊藤正春さんによるタンポポの綿毛をアクリルに閉じ込めたプロダクト、「蒲公英の封印」。 綿毛を崩さずにアクリルに閉じ込める加工技術に驚きを隠せません。 繊細なこの作品からは物語性すら感じます。
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